Hello! My name is Matt Eseltine, and I’m proud to call Southern California my home. Born and raised here, I pursued a degree in photo communications from Cal State University Fullerton.
While I didn’t end up using my degree professionally, my love for photography has never waned. I currently work for a local county agency, where I plan to retire.
When it comes to photography, I don’t specialize in any particular genre. I enjoy capturing a wide range of subjects, from stunning landscapes to intricate macro shots and wildlife.
However, I must admit, portraits are not my forte, so I don’t practice them much.
As an editor, I’m particularly drawn to landscapes because of the vast possibilities they offer for creative enhancement.
My Journey with ProMediaGear
I’ve been a loyal ProMediaGear user since 2020, with my first purchase being the BH50 head.
It’s challenging to single out just one favorite product from ProMediaGear because each piece serves a unique purpose.
However, my TR424L tripod holds a special place in my heart as the foundation for my BH50 and Katana Jr. gimbal. I also enjoy using my TR42ML monopod.
My current ProMediaGear collection includes the TR424ML monopod, TR424L tripod, BH50 head, Katana Jr. gimbal, TRBU75 Half Ball, TRB75 Pro-Stix Bowl Adapter, and various plates and L brackets.
The robust and well-made design of ProMediaGear products gives me confidence that they will stand the test of time.
When a photographer invests in ProMediaGear, they expect reliability and longevity, and I’m certain my gear will deliver on those expectations.
ProMediaGear in Action
It’s hard to pinpoint specific instances where my ProMediaGear gear made a difference because it enhances my photography every time I use it.
For example, when photographing Bald Eagles in Seabeck, WA, I rely on my TR424L tripod, half ball, and Katana Jr. gimbal to capture sharp images without exhausting myself from handholding my camera for hours.
The TR42ML monopod is my go-to when I’m on the move, providing much-needed support for my gear so I can focus on getting the perfect shot.
Sharing my favorite photography tip
One of my favorite tips to share with fellow photographers is when shooting birds against the sky, always use exposure compensation to overexpose the sky, ensuring the bird is properly exposed.
When preparing for a shoot, my main task is selecting the right gear for the subject.
For instance, I wouldn’t use a monopod for long exposure landscape shots, just as I wouldn’t use a tripod when I’m out roaming for wildlife.
A handy tip I’d like to share is that I wrapped the tops of both my tripod and monopod in bicycle grip tape.
This simple modification makes them more comfortable to carry on my shoulder and easier to hold in the hot sun, as the tape insulates the legs from the heat.
Stories behind the scenes
Huntington Beach Pier: A long exposure of the iconic pier at sunset, taken with my Nikon Z9 and Nikkor 24-70mm lens. My TR424L tripod and BH50 head were essential for achieving the rock-steady support needed on the sandy beach.
Fighter Jet: Shot at the Pacific Airshow in Huntington Beach, I used my TR42ML monopod to support the weight of my Nikon Z9 and Sigma 150-600mm lens during a long day of shooting. The jet approached at high speed, and the monopod helped me stay steady to capture the dramatic vapor trails on a stormy day.
Snowy Owl: Captured in Cypress, California, this image was taken during a rare visit from a Snowy Owl. As darkness fell, my TR424L tripod and Katana Jr. gimbal provided the stability I needed to capture this shot in low light.
Orange City Sunset: This long shot of a sunset over Fullerton, California, was taken after a storm. With my D850 and Sigma 150-600mm lens mounted on my TR424L tripod and BH50 head, I was able to capture the stunning cloud formations and the setting sun.
A Word of Thanks
I want to extend a special thanks to Noel at ProMediaGear’s customer service.
Over the years, Noel has been incredibly helpful, often recognizing me by name when I call. His assistance has made my experience with ProMediaGear even more enjoyable.
Investing in high-quality gear like ProMediaGear isn’t cheap, especially since I don’t photograph professionally.
However, the outstanding customer service I’ve received, particularly from Noel, makes it worth every penny.
I wholeheartedly recommend ProMediaGear to other photographers. Several friends have made purchases based on my recommendations, and they’ve been thrilled with their new gear.
The combination of the TR424L tripod and Katana Jr. gimbal is not only highly functional but also a great conversation starter.
If you’d like to see more of my work, you can find me on Instagram at @SeamasterGMT1 or on Facebook at Matt Eseltine Photography.